Foreigner album covers full#

Damn good rock band though.įoreigner was made up of Prog Rock musicians, yet they didn’t fit the “prog Rock”. They were a rock band with southern roots, but didn’t fit “the southern rock band” mold. Opinion - I feel Foreigner is lumped into the same category as a. I love Agent Provocateur, but I’d say this was their last, most consistent album as the next couple fell victim to record label heads pushing them to follow trends. Foreigner was able to melt both styles without compromising their sound very much. Wanting to be a little more commercial sounding can be good and bad. Now the album itself I feel a small departure from their more rock albums up to that point. the first single was released in June of 81, with the last single released in August of 82! This album had legs, unheard of now. Five singles off the album! That’s unheard of. Nobody really knew what AOR was at the time, and this album along with Escape by Journey paved the way for melodic concise rock and roll. Jacob Tannehill: I am pretty sure that they didn’t know this at the time, and I am sure “Mutt” Lange didn’t know what he was going to become at the time, but man what a classic album.

Foreigner album covers full#

Juke Box Hero was a rocker, Waiting For A Girl was their best ever ballad, while the whole album was full of gems.įoreigner peaked with 4, and is easily their best out of a string of great albums. Urgent was brilliant getting Junior Walker to play on it was a masterstroke. Philip Qvist: An absolute AOR classic - and it stands alongside Journey's Escape as the essential AOR album to have in your collection. Potential hit singles would seem to abound.

There’s also rich, pulsing pop ( Don’t Let Go) muscular, Free-like raunch ( I’m Gonna Win) billowing vocal tapestries ( Juke Box Hero) and at least one classic cruncher ( Break It Up). Walker), to the shimmering soulfulness of Waiting for a Girl like You, on which Lou Gramm’s seamless and delicately shaded vocal uncannily recalls Curtis Mayfield’s mid-Sixties heyday with the Impressions. 'Given Foreigner’s commitment to hard rock, it’s a happy surprise to find tracks ranging from the headlong whoosh of Luanne, which sounds like a lost page out of the John Fogerty songbook, to the chicken-neck strutting of Urgent, with its screaming sax break (courtesy of the master himself, Jr. Lange's legendary obsessive attention to detail and Jones' highly disciplined guitar heroics (which he never allowed to get in the way of a great song) resulted in a collaboration of unprecedented, sparkling efficiency where not a single note is wasted.' ( AllMusic (opens in new tab))

'In producer Robert John 'Mutt' Lange - fresh off his massive success with AC/DC's Back in Black - guitarist and all-around mastermind Mick Jones found both the catalyst to achieve this and his perfect musical soulmate. Girls to Chat and Boys to Bounce - Foghat.The Friends of Mr Cairo - Jon and Vangelis.Signals, Calls, and Marches - Mission of Burma.